Śiva Womanhood
Currently, the group is studying the intercourse of energies within the entire verse of a dance. The purpose of our current dialogue is to sink into and sync-up with Sanskrit sacred texts and literature (dis)covering the Lord of the Dance, i.e. Lord Śiva.
The most significant draw to Hindu studies as a theologian today may be the way Sanātana Dharma is revealed by a metaphysical lens into the Veda. In further words, the way the Veda is viewed is literally dependent on the point-of-reference from which the individual (scholar and/or practitioner) is accessing the Veda.
The notion toward Śiva womanhood, with consideration of the Veda and the traditions that acknowledge Sanātana Dharma, is further recognize ethics and passages as addressed within Hindu womanhood. In “Gandhi’s Reconstruction of the Feminine: Toward an Indigenous Hermeneutics,” Veena Rani Howard (2011) explores Gandhi’s indigenous feminist hermeneutics. The goal of this chapter is to create a starting point for future research on the paradoxes inherent in various mythologies and traditional interpretations. “Gandhi located his vision of the feminine within the ethos of these stories but reinterpreted them in order to challenge oppressive customs, thereby communicating to women, in an idiom with which they were familiar, their right to independence and dignity” (2011, 211). Howard highlights Gandhi’s complex vision of ideal womanhood, by combining the virtues of service, compassion, and sacrifice which took place with bravery, fearlessness, and assertiveness. Howard also suggests that Gandhi aimed to blur the boundaries between masculine and feminine qualities and modes of action, as means to bring both males and females toward the realization of their full humanity. In the end, Howard suggests that Gandhi’s model may reveal the potential within Hindu traditions to empower people to address issues, across the entire spectrum of humanity, whether regarding gender, race, caste, class, environment or economy.
Selected Bibliography
Beck, Guy L. (1993). Sonic Theology. University of South Carolina Press.
Brown, C. Mackenzie. (1998). The Devī Gītā, The Song of the Goddess: A Translation, Annotation, and Commentary. State University of New York Press.
Connolly, P. 1997. ‘The Vitalistic Antecedents of the Ātman-Brahman Concept’, in Connolly and Hamilton 1997, pp. 21–38.
Flood, Gavin. (1996). An Introduction to Hinduism (Introduction to Religion). Cambridge
University Press.
Howard, Veena Rani. (2011). “Gandhi’s Reconstruction of the Feminine: Toward an Indigenous Hermeneutics.” Woman and Goddess in Hinduism Reinterpretations and Re-envisionings, Tracy Pintchman, and Rita Sherma (editors). Palgrave MacMillan, 2011.
Olivelle, P. 1998. Upaniṣads. Translated from the Original Sanskrit. Oxford and New York: Oxford University Press. (Oxford World's Classics.)
Samuel, Geoffrey. (2012). The Origins of Yoga and Tantra. Cambridge University Press.
Silburn, L. (1988). Kundalini: The Energy of the Depths. A Comprehensive Study Based on the
Scriptures of Nondualistic Kashmir Saivism. Albany: State University of New York
Press.
White, D. G. 1998. ‘Transformations in the Art of Love: Kāmakalā Practices in Hindu Tantric and Kaula Traditions’. History of Religions 38(4): 172–98.
White, D. G. 2003. Kiss of the Yoginī: ‘Tantric Sex’ In Its South Asian Contexts. University of Chicago Press.